Schmücket das Fest mit Maien — Johann Kuhnau
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Schmücket das Fest mit Maien

Cantata for Pentecost

Official edition of "Schmücket das Fest mit Maien" by Johann Kuhnau, published by Breitkopf & Härtel (9790004215845), scored for 声部, 合奏. Edition includes 12 parts, 188 pages.

Catalog No.
9790004215845
Instrumentation
声部, 合奏
Specifications
12 parts · 188 pages (Score & Parts)

Parts & Score Materials

Part NameInstrumentPages
(全)总谱FullScore56 pages
声乐谱Voices36 pages
竖笛 1Recorder3 pages
竖笛 2Recorder2 pages
双簧管 1Oboe4 pages
双簧管 2Oboe4 pages
大管Bassoon11 pages
OrganOrgan24 pages
小提琴 1Violin12 pages
小提琴 2Violin12 pages
中提琴Viola8 pages
低音提琴DoubleBass16 pages

Work & Edition Details

The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Aßmann Freiherr von Abschatz (1646–1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau’s first years as Thomaskantor from 1701 on. The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai’s “Wie schön leuchtet der Morgenstern” (“How beautifully the morning star shines”), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear. Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

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