Welt adieu, ich bin dein müde — Johann Kuhnau
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Welt adieu, ich bin dein müde

Cantata for the 24th Sunday after Trinity

Official edition of "Welt adieu, ich bin dein müde" by Johann Kuhnau, published by Breitkopf & Härtel (9790004215784), scored for 声部, 合奏. Edition includes 13 parts, 198 pages.

Catalog No.
9790004215784
Instrumentation
声部, 合奏
Specifications
13 parts · 198 pages (Score & Parts)

Parts & Score Materials

Part NameInstrumentPages
(全)总谱FullScore64 pages
声乐谱Voices40 pages
长笛Flute8 pages
双簧管 1Oboe8 pages
双簧管 2Oboe3 pages
圆号 1 laHorn4 pages
圆号 2 laHorn3 pages
OrganOrgan20 pages
小提琴 1Violin12 pages
小提琴 2Violin8 pages
中提琴 1Viola8 pages
中提琴 2Viola8 pages
低音提琴DoubleBass12 pages

Work & Edition Details

The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinity, being part of the end of the church year. Based on the scribes of the handwritten set of parts, the editor assumes that it was performed around 1720. The cantata therefore falls into the last years of Kuhnau’s life and can also be considered a kind of “swan song” of Kuhnau’s due to its fitting theme of death and eternity. It is also one of only two surviving pure choral cantatas, even if others are also partly based on chorales.

The text of the chorale used was written by Johann Georg Albinus (1624–1679), a priest and rector of the cathedral school in Naumburg. He wrote it for the funeral of a daughter of the St. Thomas school rector Abraham Teller in 1649. For the current edition, three of the five vocal parts that were missing from the set of parts were added by the editor. The alternation between “tutti” and “solo” passages in the opening and closing movements suggest the scoring of a choir. Due to its length and manageable orchestration, this cantata is also ideally suited for performance in a church service.

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