Order Official Sheet Music
To purchase this sheet music edition, please email cdiyao@gmail.com with the link to this score. We will reply promptly with pricing, availability, and ordering details.
Email to PurchasePiano Concerto No. 2
Official edition of "Piano Concerto No. 2" by Poul Ruders, published by Edition Wilhelm Hansen (Z132626), scored for 钢琴, 交响乐队. Edition includes 33 parts, 446 pages.
- Composer
- Poul Ruders
- Publisher
- Edition Wilhelm Hansen
- Catalog No.
- Z132626
- Instrumentation
- 钢琴, 交响乐队
- Instruments
- Specifications
- 33 parts · 446 pages (Score & Parts)
- Purchase Orders
- cdiyao@gmail.com (Email to Purchase)
Parts & Score Materials
| Part Name | Instrument | Pages |
|---|---|---|
| [独奏] 钢琴, 钢琴缩简谱 | Piano, Piano | 64 pages |
| (全)总谱 | FullScore | 129 pages |
| 长笛 1 | Flute | 8 pages |
| 长笛 2 | Flute | 8 pages |
| 长笛 3/短笛 | Flute, Piccolo | 8 pages |
| 双簧管 1 | Oboe | 8 pages |
| 双簧管 2 | Oboe | 8 pages |
| 双簧管 3/英国管 | Oboe, HornEnglish | 8 pages |
| 单簧管 1 降si | Clarinet | 8 pages |
| 单簧管 2 降si | Clarinet | 8 pages |
| 单簧管 3 降si/单簧管 la/低音单簧管 降si | Clarinet, Clarinet, ClarinetBass | 8 pages |
| 大管 1 | Bassoon | 8 pages |
| 大管 2 | Bassoon | 8 pages |
| 大管 3/低音大管 | Bassoon, Bassoon | 6 pages |
| 圆号 1 fa | Horn | 8 pages |
| 圆号 2 fa | Horn | 8 pages |
| 圆号 3 fa | Horn | 8 pages |
| 圆号 4 fa | Horn | 8 pages |
| B调小号 1 | Trumpet | 8 pages |
| B调小号 2 | Trumpet | 6 pages |
| B调小号 3 | Trumpet | 6 pages |
| 长号 1 | Trombone | 6 pages |
| 长号 2 | Trombone | 6 pages |
| 长号 3 | Trombone | 6 pages |
| Tuba | Tuba | 6 pages |
| 打击乐 1 | Percussion | 12 pages |
| 打击乐 2 | Percussion | 12 pages |
| Harp | Harp | 5 pages |
| 小提琴 1 | Violin | 12 pages |
| 小提琴 2 | Violin | 12 pages |
| 中提琴 | Viola | 10 pages |
| 大提琴 | Cello | 10 pages |
| 低音提琴 | DoubleBass | 10 pages |
Work & Edition Details
In this day and age, when faced with the challenge of writing a ‘piano concerto’, e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo-piano part, one has two options: either: DO, or do NOT go for it whole-sale, exploiting and enjoying the cornucopia of sonorous treasures offered by the combination of the orchestra and ‘grand piano’. I have opted to go for it. When writing for one of our great young international piano stars, it would be absurd, and a waste, to do anything less and only ‘nibble at the goodies’. However, the piece is not a big, chunky ‘machine’. Rather it is a transparently orchestrated neo-classic (for lack of a better word) composition in three movements, lasting approximately 25 minutes.