Vesperae solennes de confessore, K. 339 — 莫扎特
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Vesperae solennes de confessore, K. 339

Wolfgang Amadeus Mozart·Breitkopf & Härtel·9790004203637·Full Score

Official edition of "Vesperae solennes de confessore, K. 339" by Wolfgang Amadeus Mozart, published by Breitkopf & Härtel (9790004203637), scored for Orchestra. Edition includes 14 parts, 242 pages.

Catalog No.
9790004203637
Opus
K. 339
Edition
Full Score
Instrumentation
Orchestra
Specifications
14 parts · 242 pages (Score & Parts)

Parts & Score Materials

Part NameInstrumentPages
(全)总谱FullScore52 pages
声乐谱Voices72 pages
合唱总谱Chorus44 pages
大管 任意的Bassoon1 page
C调小号 1Trumpet2 pages
C调小号 2Trumpet2 pages
长号 1Trombone6 pages
长号 2Trombone6 pages
长号 3Trombone6 pages
TimpaniPercussion2 pages
OrganOrgan16 pages
小提琴 1Violin11 pages
小提琴 2Violin11 pages
大提琴, 低音提琴Cello, DoubleBass11 pages

Work & Edition Details

"The Vesperae solennes de confessore K. 339 were composed in 1780 for a solemn vespers service in Salzburg Cathedral. Mozart wrote K. 339 on commission from Salzburg Archbishop Hieronymus von Colloredo during his employment as court composer. The Vesperae solennes follow the catholic Vespers liturgy and comprise a total of six movements, including five psalms from the Old Testament and the Magnificat from the Gospel of Luke: ""Dixit Dominus"" (Psalm 110), “Confitebor tibi Domine” (Psalm 111), “Beatus vir” (Psalm 112), “Laudate pueri Dominum” (Psalm 113), “Laudate Dominum omnes gentes” (Psalm 117) and the “Magnificat” (Luke 1:46-55). The key sequence of the six movements (C-E flat-G-d-F-C) indicates a cycle conceived as a unit. However, the individual psalms can also stand on their own. The soprano aria “Laudate Dominum” is particularly well-known and is often performed individually. It is a heartfelt prayer of a single voice, exuberantly praising the mercy and faithfulness of God. Alongside the Vesperae de Dominica K. 321 and Mozart's last, unfinished Mass in C minor K. 427, the Vesperae solennes de confessore K. 339 are among the most important sacred works of the 18th century. "

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