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Email to PurchaseBodnant Redwoods (3rd movement from 'Shocklach Diary')
Official edition of "Bodnant Redwoods (3rd movement from 'Shocklach Diary')" by Martin Bussey, published by Composers Edition (ce-mb2br1), scored for 女高音, 女声合唱, Organ. Edition includes 1 part, 12 pages.
- Composer
- Martin Bussey
- Publisher
- Composers Edition
- Catalog No.
- ce-mb2br1
- Instrumentation
- 女高音, 女声合唱, Organ
- Instruments
- Specifications
- 1 parts · 12 pages (Single Score)
- Purchase Orders
- cdiyao@gmail.com (Email to Purchase)
Parts & Score Materials
| Part Name | Instrument | Pages |
|---|---|---|
| [独奏] 女高音, 女声合唱, Organ | VoiceFemale, Chorus, Organ | 12 pages |
Work & Edition Details
Third of a set of six short pieces for piano which stem from moving in 2015 to a converted Methodist Chapel on the borders of Cheshire and Wales. Border lands have long been a strong interest. Links between place and music are hard to define and seldom absolute, but they form a common strand in much music that has influenced me. History reflected in music is another significant interest, present particularly in works such as Mary’s Hand, my monodrama about Mary 1, and my work exploring the life and poetry of Ivor Gurney, Severn Meadows.
‘Bodnant Redwoods’ began life in a summer walk through the towering redwoods in the gardens at Bodnant Castle. Immensely tall by British norms they are reflected in the space and expanse of keyboard used in the piece.
