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Email to PurchaseClément Janequin, quinze chansons à quatre voix mixtes
Official edition of "Clément Janequin, quinze chansons à quatre voix mixtes" by Clément Janequin, published by Éditions À Cœur Joie (A135300122), scored for 混声合唱 女高音,女中音,男高音,男低音. Edition includes 1 part, 54 pages.
- Composer
- Clément Janequin
- Publisher
- Éditions À Cœur Joie
- Catalog No.
- A135300122
- Instrumentation
- 混声合唱 女高音,女中音,男高音,男低音
- Instruments
- Specifications
- 1 parts · 54 pages (Single Score)
- Purchase Orders
- cdiyao@gmail.com (Email to Purchase)
Parts & Score Materials
| Part Name | Instrument | Pages |
|---|---|---|
| 混声合唱 女高音,女中音,男高音,男低音 | Chorus | 54 pages |
Work & Edition Details
Collection of fifteen songs by Clément Janequin for mixed-voice SATB a cappella choir, restored by Jacques Barbier. This anthology, with each song available separately, will be of primary interest to choral conductors and singers in a practical and historically informed modern edition. Clément Janequin, like Pierre Certon (c. 1510 -1572) and Claudin de Sermisy (c. 1490 - 1562), contributed to what we now call "la chanson parisienne": a printed song for four voices based on a short text that deals with all the common themes of the time, often homophonic, and whose declared aim is to entertain a social class that is well-informed by the practice of polyphonic singing. This intense production, more than 280 songs for Certon and 160 for Sermisy, will make their century the golden age of French song. Even today, the life of Clément Janequin remains obscure and imprecise, in contrast to his work, which has been published many times since the sixteenth century. He was probably born in Châtellerault around 1485, and grew up in Poitou, Saintonge, or Bordeaux, where he began his musical career. Or sus, or sus" was in circulation from 1510 onwards, and the following songs were printed, attesting to his fame. His great descriptive panoramas, atypical in the chanson style, such as "La bataille de Marignan", "La chasse", "Le cacquet des femmes", "Le chant des oiseaux" or "Les cris de Paris" made him the master of the genre.