Music for Old Europe — Olli Virtaperko
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Music for Old Europe

for symphonic band

Official edition of "Music for Old Europe" by Olli Virtaperko, published by Escobar.Digital (ED-W43), scored for 演唱会乐队. Edition includes 27 parts, 125 pages.

Catalog No.
ED-W43
Instrumentation
演唱会乐队
Specifications
27 parts · 125 pages (Score & Parts)

Parts & Score Materials

Part NameInstrumentPages
长笛 1Flute5 pages
长笛 2Flute5 pages
长笛 3Flute4 pages
双簧管 1Oboe6 pages
双簧管 2Oboe5 pages
Clarinet in Bb 1Clarinet6 pages
Clarinet in Bb 2Clarinet6 pages
Clarinet in Bb 3Clarinet5 pages
低音单簧管ClarinetBass5 pages
中音萨克斯风Saxophone4 pages
次中音萨克斯风Saxophone4 pages
上低音萨克斯风Saxophone5 pages
大管Bassoon7 pages
Horn in F 1Horn4 pages
Horn in F 2Horn4 pages
Horn in F 3Horn4 pages
Horn in F 4Horn5 pages
C调小号 1Trumpet4 pages
C调小号 2Trumpet3 pages
C调小号 3Trumpet3 pages
长号 1Trombone4 pages
长号 2Trombone3 pages
长号 3Trombone5 pages
TubaTuba4 pages
打击乐 1Percussion3 pages
打击乐 2, 打击乐 3Percussion, Percussion8 pages
BarytonStrings4 pages

Work & Edition Details

Music for “Old Europe” was commissioned by the Klangspuren Schwaz Festival and premiered in September 2003 in Schwaz by Windkraft Tirol and Kasper de Roo. The work is scored for a 24-piece wind orchestra, supplied with a glockenspiel. The compositional approach to a wind orchestra is that of chamber music. Every instrument has an independent part and there is a relatively small amount of doublings involved in the writing; most of the time each instrument plays its independent part. This results in a flow of music in which gradual changes of harmony play an essential part. In this sense, the piece is contrapuntal all the way through.

Harmonically, the piece consists of two completely different kinds of material: the first belongs to the modernistic, atonal tradition, and the second is modal in its nature. In the modal passage, the subtle duet between the bassoon and the english horn is accompanied by a stable harmony from the rest of the ensemble. The duet, placed in the middle of the piece, uses and develops melodic motifs introduced in the beginning. Towards the end the melodic motifs are treated on a boarder scale and the texture develops into something more complex, both harmonically and polyphonically. The finale is in passacaglia form and the intensity of music gradually builds up to a climax.

More information: https://www.virtaperko.fi/music-for-old-europe/

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