The Cabinet of Dr. Caligari — Lynne Plowman
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The Cabinet of Dr. Caligari

A live accompaniment to the seminal 1919 German expressionist silent film, 'The Cabinet of Dr. Caligari', for large ensemble

Official edition of "The Cabinet of Dr. Caligari" by Lynne Plowman, published by Composers Edition (ce-lp1tcdc1), scored for 交响乐队. Edition includes 14 parts, 780 pages.

Catalog No.
ce-lp1tcdc1
Instrumentation
交响乐队
Specifications
14 parts · 780 pages (Score & Parts)

Parts & Score Materials

Part NameInstrumentPages
(全)总谱FullScore292 pages
长笛/短笛Flute, Piccolo40 pages
Clarinet in Bb/低音单簧管Clarinet, ClarinetBass40 pages
大管Bassoon36 pages
Piccolo Trumpet la/Nightingale WhistleTrumpet, Generic32 pages
D调小号/Nightingale WhistleTrumpet, Generic32 pages
C调小号/Nightingale WhistleTrumpet, Generic32 pages
长号Trombone36 pages
打击乐Percussion40 pages
小提琴 1Violin44 pages
小提琴 2Violin40 pages
中提琴Viola36 pages
大提琴Cello40 pages
低音提琴DoubleBass40 pages

Work & Edition Details

A live accompaniment to the seminal German expressionist silent film, The Cabinet of Dr Caligari. Directed by Robert Wiene in 1919, this cult film is one of the first and most famous examples of German expressionist cinema. The unique, stylised studio sets, in which the whole piece is filmed, set this work apart and give it a highly theatrical quality, and a visual impact which is still mesmerising today. Lynne Plowman's score is an original, dynamic, tightly structured, contemporary music soundtrack to the film. Commissioned and premiered by the London Mozart Players, the work is scored for a chamber orchestra of eleven musicians (plus conductor) and is performed live, alongside presentations of the film on the big screen. "Lynne Plowman has done brilliantly.... her atmospheric and thematic music was given its premiere along with a showing of the film as part of the Riverfront's weekly cinema presentations, here transferred to the main auditorium and with the music performed by members of the London Mozart Players conducted by Michael Rafferty. That cachet alone says a lot about Plowman's reputation as a music-theatre composer, which was employed to provide the almost continuous undercurrent of sound..... As the composer pointed out before the show, it is the look of the film that still captivates, her fine muscular score with its twists and turns reinforcing both the story's sequence and its visual appeal" - South Wales Argus, Thursday 30th April 2009

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