One Sows for the Benefit of Another Age — Kyle Vanderburg
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One Sows for the Benefit of Another Age

Orchestra

Official edition of "One Sows for the Benefit of Another Age" by Kyle Vanderburg, published by Escobar.Digital (ED-W197), scored for 交响乐队. Edition includes 30 parts, 112 pages.

Catalog No.
ED-W197
Instrumentation
交响乐队
Specifications
30 parts · 112 pages (Score & Parts)

Parts & Score Materials

Part NameInstrumentPages
(全)总谱FullScore26 pages
长笛 1Flute3 pages
长笛 2Flute3 pages
双簧管 1Oboe3 pages
双簧管 2Oboe3 pages
Clarinet in Bb 1Clarinet3 pages
Clarinet in Bb 2Clarinet3 pages
低音单簧管 可选的ClarinetBass3 pages
大管 1Bassoon3 pages
大管 2Bassoon3 pages
低音大管 可选的Bassoon3 pages
Horn in F 1Horn3 pages
Horn in F 2Horn3 pages
Horn in F 3Horn3 pages
Horn in F 4Horn3 pages
C调小号 1Trumpet3 pages
C调小号 2Trumpet3 pages
C调小号 3Trumpet3 pages
长号 1Trombone3 pages
长号 2Trombone3 pages
低音长号Trombone3 pages
TubaTuba3 pages
TimpaniPercussion2 pages
打击乐 1Percussion3 pages
打击乐 2Percussion3 pages
小提琴 1Violin3 pages
小提琴 2Violin3 pages
中提琴Viola3 pages
大提琴Cello3 pages
低音提琴DoubleBass3 pages

Work & Edition Details

I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.

The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as "troubled dreams". As I continued working, I realized that the focus wasn't the darkness--the focus was the change.

I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.

One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.

In searching for a title, I came across "Serit ut alteri saeclo prosit," North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.

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