Symphony No. 3 in A minor, op. 56 MWV N 18 — 门德尔松
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Symphony No. 3 in A minor, op. 56 MWV N 18

Scottish Symphony

Official edition of "Symphony No. 3 in A minor, op. 56 MWV N 18" by Felix Mendelssohn Bartholdy, published by Breitkopf & Härtel (9790004211601), scored for 交响乐队. Edition includes 22 parts, 576 pages.

Catalog No.
9790004211601
Opus
op. 56 MWV N 18
Instrumentation
交响乐队
Specifications
22 parts · 576 pages (Score & Parts)

Parts & Score Materials

Part NameInstrumentPages
(全)总谱FullScore172 pages
研究谱FullScore162 pages
长笛 1Flute11 pages
长笛 2Flute10 pages
双簧管 1Oboe11 pages
双簧管 2Oboe10 pages
A调单簧管 1/Clarinet in BbClarinet, Clarinet11 pages
A调单簧管 2/Clarinet in BbClarinet, Clarinet11 pages
大管 1Bassoon11 pages
大管 2Bassoon11 pages
圆号 1Horn10 pages
圆号 2Horn10 pages
圆号 3Horn10 pages
圆号 4Horn10 pages
小号 1 re 和 doTrumpet8 pages
小号 2 re 和 doTrumpet8 pages
TimpaniPercussion8 pages
小提琴 1Violin19 pages
小提琴 2Violin20 pages
中提琴Viola21 pages
大提琴Cello17 pages
低音提琴DoubleBass15 pages

Work & Edition Details

The first performance of the “Scottish” Symphony took place under the direction of the composer on 3 March 1842 at the 19th subscription concert of the Gewandhaus in Leipzig. A few months later (on 13 June 1842), Mendelssohn conducted the work’s enthusiastically acclaimed London first performance with the Philharmonic Society. It was also around this time that Mendelssohn began forming the plan to dedicate the publication of the symphony – he had, after all, obtained the first impulses for its composition in the British Isles – to the young Queen Victoria. The symphony was published on 10 December 1842 in a version for piano duet written by the composer himself. It was released simultaneously by Breitkopf & Härtel in Leipzig, Ewer & Co. in London and by Benacci & Peschier. In March of the following year, Breitkopf & Härtel issued the score and parts. Mendelssohn again made considerable revisions for this print, which is the one that has since been used as the final version supervised and authorized by the composer. Once again, musicological source studies preparing the publication of the volume in the Leipziger Mendelssohn-Ausgabe have provided a major surprise: the “London” version of June 1842 has survived in a copy of the score. Only with this score can the composer’s (first) revision after the first performance in Leipzig be interpreted lucidly. A new light is thus cast on the often played “Scottish” Symphony which, incidentally, Mendelssohn never called as such.

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