Carnival of the Chinese Animals — Lyle Chan
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Carnival of the Chinese Animals

original chamber version

Official edition of "Carnival of the Chinese Animals" by Lyle Chan, published by Escobar.Digital (ED-W20), scored for Ensemble. Edition includes 10 parts, 215 pages.

Composer
Lyle Chan
Catalog No.
ED-W20
Instrumentation
Ensemble
Specifications
10 parts · 215 pages (Score & Parts)

Parts & Score Materials

Part NameInstrumentPages
(全)总谱FullScore105 pages
长笛Flute10 pages
双簧管Oboe10 pages
A调单簧管/Clarinet in BbClarinet, Clarinet9 pages
Horn in FHorn8 pages
钢琴 1, 钢琴 2Piano, Piano33 pages
小提琴Violin10 pages
大提琴 1Cello10 pages
大提琴 2Cello9 pages
二胡Strings11 pages

Work & Edition Details

We English-speakers tend to know something about the Chinese Zodiac because every February, the media announces the Year of the Rooster or Horse and so on. But did you know there is a centuries-old fairy tale behind the animal mythology? Like any traditional story, there are many versions, though the underlying plot is the same except for the central figure – it’s either a Jade Emperor or a Buddha who summons the animals, and they all have to cross a river to reach him. The order in which they arrive determines the animals' sequence in the Zodiac. I’m sure the version with the Jade Emperor (who is a deity) was first, but after Mayahana Buddhism arrived in China in the 3rd century BCE, the Buddha figure also took on deity-like traits. Inspired by Prokofiev who wrote his own words for Peter and The Wolf, I wrote my own version of the story – a Buddha, nearing completion of his spiritual work on earth and soon to depart for Nirvana, wants to say goodbye to the animals of the earth. When the animals arrive they listen to Zen-like sayings from the Buddha, learning simple, beautiful truths about everyday life. The whole work has a tuneful, almost innocent nature, this being a deliberately family-friendly piece and appropriate for a child's first encounter with classical music (again, like the Saint-Saëns and Prokofiev that inspired it). Personally, this is the first time I’ve written a piece based on or even imitating Chinese music (and Hindu music for the Buddha figure) and I hope it’s as fun to hear as it was to write, especially the ending in which the animals put on a party (the ‘carnival’ in the title) to celebrate the wisdom that the earth learned from the Buddha. – Lyle Chan

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